NEW YORK and LOS ANGELES — It wasn’t all that long ago that the single-sensor color camera design was for cheapie consumer cameras. However, large-format single-sensor cameras have today taken over a ...

Large format cinematography is in high demand in today’s cinema production landscape. In Part One of our look at this growing field, Adam Hamer looks at the sensors and lenses that are powering it.

ALEXANDRIA, VA.—Larry Thorpe has a long industry background in imaging. A senior fellow of the imaging technologies and communications group (in the professional engineering and solutions division) of ...

Fujifilm has unveiled the GFX 100S with a huge 102-megapixel medium-format sensor and a surprisingly compact body. It’s actually smaller than Panasonic’s full-frame S1R and just a bit heavier than the ...

MAX ETERNA! Planned for release as soon as next year, the large format Fujifilm GFX ETERNA will be based on the GFX 102MP CMOS II HS sensor and X-Processor 5 in its high-end GFX100 II mirrorless ...

After the success of the Fujifilm X100, the Sony RX100 and the Canon G1 X, Nikon has finally embraced the idea of putting a large sensor in a compact-sized camera. The result is the Nikon COOLPIX A – ...

Suiting intelligent-traffic systems, security and surveillance, and automotive-imaging systems, the KAC-00400 image sensor comes in a wide-VGA, 768×488-pixel format, providing 20% more pixels than ...

Over the past year, Fujifilm has been slowly trickling out information about the GFX Eterna, a cinema camera built around the same 100MP "large format" sensor (medium format in photography terms) ...

SANTA CLARA, Calif.--(BUSINESS WIRE)--OmniVision Technologies, Inc., a leading developer of advanced digital imaging solutions, today announced the OV64A image sensor, offering 64 megapixel (MP) ...

Teledyne e2v has introduced Snappy Wide, a new 8K wide aspect ratio CMOS image sensor, targeting logistics vision systems applications where larger conveyor belts are commonly used. One single Snappy ...

I surveyed the still budding field of large-sensor cameras for Filmmaker and described the industry’s growing embrace of the 120-year-old Super 35 format. Not only were existing cine and SLR lenses ...